Welcome

It may be easier to fit into a single box. Yet, I'm afraid I don't.

Life has taught me, perhaps later than it should, to embrace the different parts that make my sum, and to celebrate that each informs and enhances the other.

I invite you to navigate to the aspect of my work that brought you here, and, if you like, to explore a part of my professional life you didn't know about.

The site reveals the diversity of my career: the Artist, the Author, the Scientist, the Teacher, the Body Urbanist, and ultimately, the lifelong Imaginator.

what's new?

March 2025.
Work in development.

March 2025.
Exploring 'connection' of divergent paths through nature contact.

March 2025.
A multi-piece landscape intervention in the woods nearby.

The stone's colours are incredible.

Feb 2025.
Finished piece. Yet untitled.

New work. Speckstein. Letting the stone guide me. Probably abstract.

'Open-up', 2024. Mimicking a flower, reclaimed wood; an amphitheatre & road screen. First model!

January 2025. Four fictional landscape 'interventions' I designed for the spot.

The six works and the design considerations.

Gardens module - 704.
Big time imagineering, what fun! Visitor got slotted in at the last minute.

Form XXI, 'Allure', 2024. Rose alabaster. SOLD

Women series Form XXI — Always astonished by the gifts the stone has hidden inside!

The BAM, Milan, Italy.
It all about Play! A swing will be a staple in my gardens - for young and old!

Trying to nut out what lead me there!

I'm a student again.
Arts University of Bournemouth Masters in Landscape Architecture Studies.

McKay MJ, Weber KA II, Wesselink EO, Smith ZA, et al. MuscleMap: An Open-Source, Community-Supported Consortium for Whole-Body Quantitative MRI of Muscle. Journal of Imaging. 2024; 10(11):262. https://doi.org/10.3390/jimaging10110262

Book chapter: Elliott JM, Wesselink EO, Crawford RJ, et al. 2024 in:
A. Di Ieva et al. (eds.), Computational Neurosurgery, Advances in Experimental Medicine and Biology 1462, https://doi.org/10.1007/978-3-031-64892-2_28

Piece of unworked cobalt serpentine. — Contemplating how to integrate this piece of raw stone into a revised base for 'Anchored' to show-off her wonderful lats!

Flipped for a different perspective.

Playing about with base materials for 'Accomplished II', or maybe 'Violet'?

Dan Flavin's 1963 dedication to Brancusi. — I rather wonder what Brancusi would have thought of Dan Flavin's 1963 dedication to him - arrogance?

A fine stone form atop a reflective surface that adds remarkable depth placed on a substantial carved wood base. Going to use a similar language with select forms from Women.

Super inspired by this piece - big chunk of carved wood, simple shaped marble, reflective metal disc in support of the star attraction.

Brancusi's use of stone and wood is so perfect - like they can't exist apart.

The Master, Constantin Brancusi - it's all about the bas(e)! Utterly inspired visiting the George Pompidou Centre in Paris!

Picasso's Guitar at Picasso Museum Paris. — Picasso often used found objects to construct 3D works from which he painted his masterpieces.

Dried pansy strings — Trying out floral sculpting techniques having been inspired by various examples.

Fulfilling 03/24 at Baar/Lorze. — You have to get in quick; this one was broken down (not by nature) within 24hrs.

Fulfilling at Baar/Lorze 8.3.24 — 'Fulfilling', 03/24.
A few of these are popping up in my local woodlands. So nice to be engaging with nature again.

'Iter', site wood and stone, 2022, Zugersee, CH

'#myview', Carrara marble offcuts & steel. 2022, CH

SOLD 'Supernatural', driftwood, alabaster, steel. 2022, CH

'Cousins', found sticks and beach sand, 2022, Busselton, WA

The beginning ;)

220328. 'In-between', site wood, Zugersee.
I wonder how many notice this?

220321. 'Sheltered', site wood & stone, Zugersee.
I love that it mimics the Rigi.